I’m Isabel. I write and produce original, female-driven, fictional projects for film and television that inspire, engage and entertain.
Safe bets are for wusses.
I believe bold choices in storytelling inspire the conversations we need.
As a New York-based producer and writer with a 20-year career in social-issue verité documentary production, I’ve collaborated on independent projects in over 32 different countries grappling with issues ranging from community health care to political corruption to Black history and have had the honor of speaking directly with these real people fighting for a better world.
Some of projects I’ve been a part of currently stream on the Criterion Collection, one was ranked #2 on Netflix. Others have screened at Telluride and Berlin.
Building upon my non-fiction work I’ve expanded into the fictional space. I’ve received two screenwriting fellowships from Sundance’s Co-Lab and have consulted for studios such as Amazon, Disney and Francis Ford Coppola’s American Zoetrope. Raised in the San Francisco Bay area, I’m passionate about working class dramas filled with struggle and heart for global audiences.
Working shoulder-to-shoulder as Producer and Writer with Cherokee Nation is one of many collaborative projects where strategy, budgetary agility and creative magic converge to develop a project’s storytelling magic.
Frame By Frame is a podcast I created in collaboration with Post New York Alliance, featuring never-before-shared stories from the editors, mixers, and producers who crafted New York’s most iconic films—Network, All That Jazz, Sophie’s Choice, Do The Right Thing.
find 35 episodes streaming on Apple Podcasts and in the Academy of Motion Picture Arts and Sciences’ Oral History Archives.
The producer is part artist, part technician, part general, part gambler, part mother-confessor, and part seducer. Ultimately, my job is to gather forces and birth new worlds through sheer will of the collective imagination.
Creating stories that entertain and shift the culture is my kind of heaven. The instinct that pulls me to a story is a belief in action, in the power of voice, in bearing witness. The stories I choose are never abstract. They matter because they move something forward.
For me, the real magic happens in collaboration with others and I’m always looking for the next can’t-pass-this-up project that offers new challenges, opportunities, builds community and makes me fall in love with filmmaking all over again.